w.in.c films

Founded in 2009 by Claudia Vasquez Ramírez, Sabela Pernas Soto, Petra Niskanen and Abbe Leigh Fletcher, w.in.c films are a collective of filmmakers from the MA film making at Kingston School of Art.

We formed the collective to travel to Cuba in 2009 to visit the Cine Pobre No-Budget Film Festival in Gibara, founded by Humberto Solás. The film we made there The road to Gibara/El camino hacia Gibara (2010, w.in.c films) was selected for Cine Pobre 9 the following year. Since then we have made films in Medellín in Colombia, Santiago de Compostela in Galicia and London and Hampshire in the UK.

In 2019 to mark ten years of the collective we opened up to new members and now invite new members once a year.

In 2021 we were commissioned by the Stanley Picker Gallery to make a short film of Ben Judd’s The Origin Project.

In 2022 winc films worked on the British Council funded project About Making: Exploring Building Craft and its Social Practices, with Eleena Jamil, Christoph Lueder, Stephen Knott and Abbe Fletcher, producing interviews with UK-based architects 121 Collective, Notpla and Group Work with Amin Taha.

More information here: w.in.c films

Gibara, Southern Cuba, when returning screen El camino hacia GIbara (2010, w.inc. films) at the 9th Cine Pobre Film Festival
photograph by Sabela Pernas Soto
 

Collective Practice Conversations

During the pandemic, feeling the isolation of remote working and missing making work in collaboration with others, I started a series of conversations with colleagues at Kingston School of Art on collective creative practice.

These continue on a monthly basis as a space to share experience of working collectively in film and other creative practices.

Contact a.fletcher@kingston.ac.uk

 

small is beautiful: miniature worlds and microeconomics

From Polly Pocket to The Roundhouse

Small is Beautiful: Miniature Worlds and Microeconomics is an ongoing research project that seeks to explore E. F. Schumacher’s Buddhist Economics in light of numerous applications around the theme of toys and the appeal, politics and poetics of miniature scale.

The central case study of this work is Bluebird Toys and the Roundhouse Trust, both set up by Sir Torquil Norman. Bluebird, a British toy company (1981-1998), the proceeds of which were invested by Sir Norman in the purchasing and renovating the Roundhouse in Chalk Farm, London and establishing the charitable Roundhouse Trust that supports the development of young people’s creative skills.

The central image is one of scale: from Polly Pocket to the Roundhouse.

The project, while initially conceived as a film is now in the process of being developed with drawings and text. This blog will be a space to chart the progress of the project and form a map of the connecting elements.

The end product will be a graphic exploration that will give an introduction to Schumacher’s economics and an investigation into the appeal of the miniature in the shifting climate of ecological accountability and questions of consumption and sustainability.

Polly Pocket in Midge’s Flower Shop, 1990, Bluebird Toys

E.F. Schumacher’s book Small is Beautiful: A Study of Economics as if people mattered

Torquil Norman’s home-based research centre & container vehicles pre Bluebird

The Big Yellow Teapot & the beginning of Bluebird

Bluebird’s Gearbox & Lunchboxes

Polly enters the arena

Bluebird Factories

Polly Pocket 1989-1998

Polly Pocket and Mattel

A portable pocket-sized room of one’s own

Pockets of time series

 

Railwaywomen

Railwaywomen is a short film portraying women on the railways. Made as part of the Film maker in the Family project.

The film is structured around the portrayal of two female railwayworkers: a guard and a steam train driver.

Each character encounters an interaction in her work: the driver with a young passenger and the guard wth passengers. The use of narrative is simple, focusing on the iconic representation of each woman in her environment, her labour and the interaction between genders, generations and workers.

Lois Lane drives the train. Stills from Billion Dollar Limited, directed by Dave Fleischer, 1942

 

The Road to Gibara

w.in.c films 2010, 22 minutes, Cuba/UK/Finland/Galicia/Colombia

Four filmmakers journey to Cine Pobre in Southern Cuba